A large shed sat back of the house. At night, auto headlights flared over the white clapboard. Other sheds were scattered around the neighborhood. Sheds explored semi-abstract symbolic forms. Most of the drawings are charcoal, an ideal medium for quiet darkness with sharp intrusions of light. Although chiefly a black and white exploration, the suite includes several large paintings. These ideas and images led to the more expansive Monuments and Manholes.